The proposal for my current research, “Music is the Method,” draws upon years of previous research to strongly suggest that musicking, spending time with musicians, and getting to know their repertories is a good way to understand how they live and what matters to them. It is also, in the context of this project, a good way to understand how people think about what it means to be ill and what it means to live well.
This part of the project seeks to return some of my field recordings to Uganda on a permanent basis. There the people who made them should be able to access them, and others will hopefully be able to use them for further research. It never ceases to amaze me how much time and energy it takes just to get and stay organized with this much material in hand (it’s not only my daily chore now, but sometimes I rope my wife into it as well). I’ve got audio, photographs, and video to contend with, much of which I’ve annotated through fieldnotes, coding, and blogging. This project breathes new life into my efforts at collating these materials and making sense of them beyond the life of my now-finished dissertation.
My hope, bolstered by an encouraging first couple of weeks of this work, is that I can continue to connect these materials, get them to talk to each other, and organize an ever increasing series of cross-references. The contours of a kusamira repertory emerged well before I ever finished the dissertation. If I am to understand it well enough to comment on its relationship to creation stories and other folklore of this region in my book, this new archival effort will be a crucial step in that process.