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Jocks and Their Jams

[This post has been re-blogged from a private course blog for one of my music history and literature courses at Claflin University.]

On the heels of public commentary investigating and completely refuting the notion that classical music is dead, the RenĂ©e Fleming‘s rendition of the National Anthem at SuperBowl forty-eight tonight certainly made a strong statement. Her comments earlier in the week made the statement that much stronger. Moreover, Denyce Graves reminding her audience at Claflin’s own W.V. Middleton Auditorium this afternoon about the use of opera in advertising for pasta sauce–along with Lawrence Fishburne’s new sync on a Kia ad–remind us that cultural relevance is always relative.

It’s refreshing then that one of these very same commentators had some very sensible things to say last year about music and sports in what he called the “Glee generation.” Some people find the middle ground to be milquetoast. At times it can be, but in these cases, I find the balance to be pretty strong.

Still not convinced? Check out Bruno Mars opening the SuperBowl halftime show with a drum solo before getting up to sing with a full horn line and dance like the Godfather of Soul!

So ask yourself: what does the term “classical” mean? What does it mean for a young musician to get up and tip his hat like that to iconic American style and some of America’s classic R&B artists?
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